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Music and lyrics, through which much of the action is in rhyme and song, serve to carry the story along rather than to stand out on pop song merit on their own. He’s an expert gag man and is so splendid at imitating any one of the brothers, that should illness stop one from making an appearance, Zeppo can immediately take his place.” Clearing up that mystery. Press sheet says, “Zeppo, despite his straight character, is a most important part of the team.
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Chico and Harpo omit their musical specialties, which should make it much easier for the piano and harp numbers the next time, if needed. While Groucho soft pedals the verbal clowning for more physical effort this time the other boys also make a quick change. For his customary dowager-foil he has the high, wide and handsome Margaret Dumont, making it perfect for Groucho. Groucho is the prime minister, who takes his job as seriously as a judge in “Irish Justice,” and gives this champ of comedy dialog a veritable Yankee Stadium to work in. Story is a mythical kingdom burlesque that could easily have been written by a six-year-old with dust in his eyes, but it isn’t so much the story as what goes with and on within it. mirror routine, so well done in the hands of Groucho, Harpo and Chico that it gathers a new and hilarious comedy momentum all over again. In place of the constant punning and dame chasing, “Duck Soup” has the Marxes madcapping through such bits as the old Schwartz Bros.
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The shift to the ‘situation’ in this picture therefore is a relief besides being, for the Marxes, a means of changing the pace that will draw dividends for the boys in the future. Radio has killed all the good gags and is responsible for the present low caste of gagsters and gags. Less gags this trip with more accent on ‘situation.’ That doesn’t hurt, either.